They’re called “li”. The traditional working songs of the rice farmers of Nagaland in India’s Northeast. A kind of mesmerizing[…]
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Category: Screen Anarchy
Xenon Pictures Brings a Bevy of Blaxploitation Titles to VOD This July
I will never profess to be well learned in the ways of the Blaxploitation genre, but if there was ever[…]
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North Bend 2018: Exclusive Images From Patrick Cunningham’s MODEL HOME
Patrick Cunningham’s debut feature film, Model Home, will have its World Premiere at the new destination festival North Bend, the[…]
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Criterion in September 2018: ANDREI RUBLEV, COLD WATER and More
It’s never too late to receive good news, is it? I hope not, because I am terribly late in sharing[…]
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London Indian 2018 Review: VILLAGE ROCKSTARS Follows A Young Girl’s Dream Of Becoming A Musician
Written, directed, and shot by young filmmaker Rima Das, Village Rockstars is a beautiful expression of passion and hope based[…]
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Oak Cliff 2018 Review: I AM NOT A WITCH, A Superb Film From A Prodigious New Talent
A young girl, unremarkable in any way, is walking down a path in rural Zambia. Suddenly, a woman walking ahead[…]
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Review: JURASSIC WORLD: FALLEN KINGDOM Goes Places Earlier Films Fear To Tread
For the past quarter century, the Jurassic Park films have been synonymous with summer blockbuster fare. Based on Michael Crichton’s[…]
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Trailer Time: Kamal Haasan Is Back With VISHWAROOPAM 2, Big Budget Terrorism Action
It’s been a long time coming, but international audiences will finally see the second part of Indian superstar, Kamal Haasan’s[…]
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Blu-ray Review: Prognosis for THE CURED is Bleak
Released at festivals in 2017 as The Third Wave, David Freyne’s first narrative feature (now released as The Cured) nabbed[…]
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Review: TAG Isn’t It
“We don’t stop playing because we grow old; we get old because we stop playing.” That is the quote that[…]
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