Saskatoon Fantastic 2018: Final Wave Includes HEAVY TRIP, ANNA AND THE APOCALYPSE and more!

Saskatoon Fantastic 2018: Final Wave Includes HEAVY TRIP, ANNA AND THE APOCALYPSE and more!

Just when you thought things couldn’t get better Saskatoon Fantastic (November 14th – 18th) unleashes a final wave of awesomeness on movie-loving audiences.

The exquisite 2018 lineup already boasted no shortage of international favorites – with films like Climax, Tigers Are Not Afraid, and Luz (among many others) – and has now added seven more features that should please a wide range of viewers.

Newcomers include Heavy Trip, a character-driven, heavy metal road trip that will have you rooting for an unlikely band of (aspiring) rebel rockers, and Anna and the Apocalypse, the zombie-slaying Yuletide musical you never knew you wanted (pictured above). While the aforementioned titles are eminently accessible to audiences both relatively young and old (fitting, considering they are this year’s closing and opening films, respectively), Saskatoon Fantastic has also picked up Cannes oddity Knife + Heart. In a recent review out of Sitges our own Shelagh Rowan-Legg spoke highly of this electrifying homage to the European Giallo set in the world of ’70s gay porn, calling Yann Gonzalez’s second feature “Delightfully Queer, Sensuous and Cruel”.

Read on to discover the other new additions as well as a handy recap of the first wave. For more details, be sure to check the official website.

Not in the mood to read? Then scroll to the bottom of this page to catch a glimpse of all the genre goodness headed your way in the 2018 festival trailer of Saskatoon Fantastic.

9th Annual Saskatoon Fantastic Film Festival

Festival expands its lineup with a second batch of feature films including a pair of music based films that will delight the crowd!

Saskatoon – October 16th, 2018 – Leading the pack on the second round announcement are the festival favourites Anna And The Apocalypse (Opening) and Heavy Trip (Closing).

Saskatoon Fantastic Film Festival, Saskatchewan’s largest feature film festival returns for its 9th edition at the Broadway Theatre this November 14th through 18th with an extra day, a larger line-up of films, cartoons and a retrospective on body horror.

“Not only are we screening the absolute best of this year’s festival circuit darlings such as Tigers Are Not Afraid and Satan’s Slaves, but we’ve dug deeper to highlight some of this year’s best new young talent, such as Mitzi Peirone’s Braid, Elle Callahan’s Head Count, and Tílman Zinger’s Luz. As well we’re thrilled to screen two fantastic queer and sex-work positive films, the 70’s giallo throwback Knife + Heart and the techno-terror film Cam!” said Programming Director Steven Landry.

More information is available concerning the Saskatoon Fantastic Film Festival at www.skfilmfest.com.

Final Round of announced Feature Films

ABDUCTED IN PLAIN SIGHT

On October 17, 1974, 12 year old Jan Broberg was kidnapped by her next door neighbor and parents’ best friend. Abducted In Plain Sight is a feature length documentary about the stranger than fiction, true story of the Brobergs; an Idaho family who fell under the spell of a sociopathic neighbor with designs on their twelve-year-old daughter.

ANNA AND THE APOCALYPSE

When the zombie apocalypse hits the sleepy town of Little Haven – at Christmas – teenager Anna and her high school friends have to fight, sing and dance to survive, with the undead horde all around them. BRAID Two wanted women decide to rob their wealthy psychotic friend who lives in the fantasy world they created as children; to take the money they have to take part in a deadly perverse game of make believe.

CRISIS JUNG

Welcome to a world ravaged by explosions of violence, a world without love. Jung, the broken-hearted hero, pursues his quest: reunite with Maria, his lost love, savagely decapitated by Little Jesus. He can count on the support of allies met along his bloody path, encounters that provide an understanding of others, but especially of himself. He also has to deal with his “violent outbreaks,” an incontrollable curse that springs from his murderous soul.

HEAVY TRIP

Heavy trip is a feel-good comedy about a young man trying to overcome his fears by leading Finnish heavy metal band, Impaled Rektum, to the hottest metal festival of Norway. The journey includes heavy metal, grave robbing, vikings and an armed conflict between Finland and Norway.

KNIFE + HEART

Paris, Summer 1979. Anne produces third-rate gay porn. After her editor and lover Lois leaves her, she tries to win her back by shooting her most ambitious film yet with her trusted, flaming sidekick Archibald. But one of her actors is brutally murdered and Anne gets caught up in a strange investigation that turns her life upside-down.

YOU MIGHT BE THE KILLER

A camp counselor suffering from blackouts finds himself surrounded by murder victims. He turns to his horror movie enthusiast friend for advice, and to contend with the idea he may be the killer.

First Round Announced Feature Films

SUPERGRID (Cast and Crew to be in Attendance)

Supergrid is an upcoming feature film from the team that brought you Wolfcop. In the near future, a young smuggler is forced to make a run on the road that took the life of his sister. He has to convince his older brother to get back on the “Grid” and help him clear the debt.

ROCK STEADY ROW

Demented chaos rules this bizarro-world college campus where the reigning gang-frats target a freshman, who dare crosses their path. Trapped between a blaze of twisted “Mad Max” style power games, he shrewdly plays both sides, fueling apocalyptic-sized battles that escalate to ensnare the school Dean who’s coming unglued.

SATAN’S SLAVES

Rini has been living at her grandmother’s in the countryside with her parents and three younger brothers since they had to sell the house uptown to get medication for her mother who has been mysteriously ill for more than three years. After her mother dies, Rini’s father goes to a faraway town to work. Evil entities haunt Rini’s house and start to terrorize her and her brothers. Rini traces back the roots of the evil and learns that her family was involved in an unholy pact in the past. She must face the horrifying truth from the past to stay alive.

HEAD COUNT

During a weekend getaway to Joshua Tree, a group of teenagers find themselves under mental and physical assault from a supernatural entity that mimics their appearances as it completes an ancient ritual.

TIGERS ARE NOT AFRAID

Thousands have been murdered or gone missing in Mexico’s ongoing violent drug war. The result is many orphaned children living on the streets caught in the unceasing cartel crossfire. In her third work of immense beauty, pain, fear and joy, writer/director Issa López tells the magical story of five such urchins making the best of their daily struggle to survive. Perfectly balanced between harsh reality and the fantastic, this unflinching cautionary fable is part Pan’s Labyrinth, part City of God, all innovative South of the Border fairytale.

LUZ

Fleeing from the grasp of a possessed woman, a distressed cabdriver begins a confession in a rundown police station that endangers everyone who crosses her path.

PROSPECT

A teenage girl and her father travel to a remote alien moon, aiming to strike it rich. They’ve secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon’s toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive. Forced to contend not only with the forest’s other ruthless inhabitants, but with her own father’s greed-addled judgment, the girl finds she must carve her own path to escape.

CAM

The horror movie is a technology-driven psychological thriller set in the world of webcam porn. It follows Alice (Brewer), an ambitious camgirl, who wakes up one day to discover she’s been replaced on her show with an exact replica of herself. As this copy begins to push the boundaries of Alice’s internet identity, the control that Alice has over her life, and the men in it, vanishes. While she struggles to regain what she’s lost, she slowly finds herself drawn back to her show and to the mysterious person who has taken her place.

CLIMAX

A troupe of young dancers gathers in a remote and empty school building to rehearse. Following an unforgettable opening performance, the troupe begins an all-night celebration that turns nightmarish as the dancers discover they’ve been pounding cups of sangria laced with potent LSD.

SATURDAY MORNING ALL YOU CAN EAT CEREAL CARTOON PARTY

Curated by film programmer writer and pop culture connoisseur Kier-La Janisse, Saskatoon is in for a real treat with 3 hours of the weird and wonderful world of cartoons from the 40s through 80s.

Body Horror Retrospective

VIDEODROME

When Max Renn goes looking for edgy new shows for his sleazy cable TV station, he stumbles across the pirate broadcast of a hyperviolent torture show called Videodrome. As he struggles to unearth the origins of the program, he embarks on a hallucinatory journey into a shadow world of right-wing conspiracies, sadomasochistic sex games, and bodily transformation.

SOCIETY

Billy Warlock (“Baywatch”) stars as a pampered Beverly Hills teen whose world is golden, until his sister’s ex gives him an audiotape of what sounds like his family partaking in an incestuous, murderous orgy. Thus begins his journey down a gore-and-goo-lined rabbit hole into the shocking underbelly of ‘high society…’

BODY MELT

Residents of the suburban cul-de-sac Pebbles Court receive unexpected samples of an experimental vitamin made by a strange health spa named Vimuville. When the town adds the powder to their diets, they experience strange macabre visions — and worse, their bodies mutate, ooze, and melt! As coroner visits become daily, Detective Phillips suspects Vimuville — but will he uncover its diabolical motives before the whole of Australia is subjected to BODY MELT?!?!

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